Read more of Burn's exclusive interview with singer, songwriter and
multi-instrumentalist KT Tunstall
Q: How has touring and being around different artists change the way yo
u write songs now and the way you perceive music?
KT: I don't think it changed the way I write songs necessarily but it's definit
ely raised my bar. It's raised my standardsâhaving the opportunity to meet peop
le that \I've always admired and also see them play and I've been lucky enough
while I was travelling to catch them in fantastic shows and it really raises yo
ur bar and it really makes you examine what you do yourself and how you do it a
nd...For example, going to see Radiohead here in London and seeing a stage show
and i said wow that really is so inventive and so meaningful to their music an
d it really made me think how my stage looks and that's just an example...almos
t every time i see a good show or band i like it provokes some thought in some
area of what i do. Although i am obviously influenced in some level by what oth
er people write and what other people produce, it's quite important to me that
that remains untouched, the writing because otherwise it's going to sound like
someone else.
Q: Are there any suprises on the album?
KT: I'd have to say yes, there are surprises, I've definitely sped up as compar
ed to the first album, especially on a song called âI Don't Want You Now.â And
I think fans will be surprised how punk rock it's gotten, it's gone really fast
. This is something I didn't do at all when I did Eye to the Telescopeâit's all
quite mid-tempo, down tempo, and then the next album is definitely made to pla
y live.
Q: With the last album being, you're seen as "KT Tunstall is the next b
ig thing." Are you glad to get rid of that tag?
KT: Obviously I'm glad to get rid of it because now I kind of feel like maybe I
am a big thing (laughs). I mean the first time in an article I was just readin
g the papers a couple of years ago and I saw my name used as a reference, you k
now. âSo and so, oh she's a little bit like KT Tunstall.â I thought âMy God! I'
m actually...a thing now!â And that's a nice moment when it happens to you beca
use it really affirms that you actually have your own sound which is the bigges
t compliment of allâthat you don't sound like someone else, you actually sound
like you, you know. Then I think there's something very special about being the
underdog, trying to get somewhere and once you get there, it can bring all sor
ts of problems. And when you've achieved what you wanted to achieve then you th
ink "Okay, what am i going to do next." I find that you constantly have to re-e
valuate what you want to happen because when what you want to happen happens, t
hen you need to move on to the next step.
Q: Where do you find inspiration for writing your songs?
KT: Inspiration often comes from digesting experiences and usually it's a very
close emotional interaction with another person and that can come from my own e
xperiences and certainly it can come from observing that between other peopleât
hat could be people I know or situations I see on the television. For example
âSaving My Faceâ from the album came from watching a documentary about older wo
men, some of whom had bags under their eyes so they went to a plastic surgeon,
had their eyes fixed and they were really happy. And then there were these othe
r women who just didn't want to be old, they wanted to be 20 so they went to th
is outrageous surgical length to look like 20 year olds and it was just so bad
and bizarre and futile. And so that was a case of putting myself in the positio
n of an older woman feeling like that.
Q: You did a really really good rendition of Mussy Elliot's âGet Ur Fre
ak On.â What other song would you absolutely love to cover?
KT: Why thank you. I'd really really like to tackle a David Bowie song. I disco
vered when I did a cover of âFake Plastic Treesâ by Radiohead that if you cover
a song...by an artist that has an army of incredibly loyal and frightening fan
s (laughs), no one is allowed to cover Radiohead apparently...you shouldn't cov
er Radiohead and I'm quietly worried that that might happen if I went anywhere
near David Bowie. But when it comes to covers I always like doing stuff that is
n't necessarily expected of me, for example Missy Elliot. You know, really leav
ing my genre and trying something completely different and that excites meâchal
lenging myself.
Q: I read somewhere that when you were busking all those years ago you
met someone from Take That that actually gave you a quid is that true?
KT: It's completely true. It was Marc Owen. I was busking in Camden i was in my
hippie gear I had my nose ring and I was in my dungarees. I was busking away a
nd he walked past with a very very attractive girlfriend and I noticed that it
was Marc Owen from Take That and he gave me a quid and that was when Take That
were really really big and I wanted to say 'C'mon Marc, give me a fiver.â and I
met him recently and I've had some success and it was before Take That got bac
k together and he was trying to get his own success as a solo artist and not re
ally having a lot of luck and he gave me a CD and he said âI'd really love you
to listen to this and I know I'm probably not the right guy to support you but
if you like it then please get in touch.â And I said, âYou know what I need to
tell you something, you gave me a pain when I was busking once about seven year
s ago. Don't tell me that man you'll be given me a pain, tooâ He's a really rea
lly lovely person, he's a very nice guy.
Q: When you're not touring or writing songs, what do you do that's not
music-related to relax?
KT: Well, obviously my friends are a very very important part of my sanity and
my happiness so I have so little time that I really try to spend a lot of time
with my friends and family when I've got any free tiem. But I'm actually addict
ed to going to the cinema. I love going to see things on the big screen and I'm
quite happy...I'll go and see a weird, European sub-titled odd film and then I
'll go to Die Hard. I'm happy with anything. There is a level of...like really
bad kind of teen-age love filmâI really can't handle. That's really bad stuff b
ut you know I can defintiely handle some Transformers.
Fantastic KT
Read more of Burn's exclusive interview with singer, songwriter and
multi-instrumentalist KT Tunstall
Q: How has touring and being around different artists change the way yo
u write songs now and the way you perceive music?
KT: I don't think it changed the way I write songs necessarily but it's definit
ely raised my bar. It's raised my standardsâhaving the opportunity to meet peop
le that \I've always admired and also see them play and I've been lucky enough
while I was travelling to catch them in fantastic shows and it really raises yo
ur bar and it really makes you examine what you do yourself and how you do it a
nd...For example, going to see Radiohead here in London and seeing a stage show
and i said wow that really is so inventive and so meaningful to their music an
d it really made me think how my stage looks and that's just an example...almos
t every time i see a good show or band i like it provokes some thought in some
area of what i do. Although i am obviously influenced in some level by what oth
er people write and what other people produce, it's quite important to me that
that remains untouched, the writing because otherwise it's going to sound like
someone else.
Q: Are there any suprises on the album?
KT: I'd have to say yes, there are surprises, I've definitely sped up as compar
ed to the first album, especially on a song called âI Don't Want You Now.â And
I think fans will be surprised how punk rock it's gotten, it's gone really fast
. This is something I didn't do at all when I did Eye to the Telescopeâit's all
quite mid-tempo, down tempo, and then the next album is definitely made to pla
y live.
Q: With the last album being, you're seen as "KT Tunstall is the next b
ig thing." Are you glad to get rid of that tag?
KT: Obviously I'm glad to get rid of it because now I kind of feel like maybe I
am a big thing (laughs). I mean the first time in an article I was just readin
g the papers a couple of years ago and I saw my name used as a reference, you k
now. âSo and so, oh she's a little bit like KT Tunstall.â I thought âMy God! I'
m actually...a thing now!â And that's a nice moment when it happens to you beca
use it really affirms that you actually have your own sound which is the bigges
t compliment of allâthat you don't sound like someone else, you actually sound
like you, you know. Then I think there's something very special about being the
underdog, trying to get somewhere and once you get there, it can bring all sor
ts of problems. And when you've achieved what you wanted to achieve then you th
ink "Okay, what am i going to do next." I find that you constantly have to re-e
valuate what you want to happen because when what you want to happen happens, t
hen you need to move on to the next step.
Q: Where do you find inspiration for writing your songs?
KT: Inspiration often comes from digesting experiences and usually it's a very
close emotional interaction with another person and that can come from my own e
xperiences and certainly it can come from observing that between other peopleât
hat could be people I know or situations I see on the television. For example
âSaving My Faceâ from the album came from watching a documentary about older wo
men, some of whom had bags under their eyes so they went to a plastic surgeon,
had their eyes fixed and they were really happy. And then there were these othe
r women who just didn't want to be old, they wanted to be 20 so they went to th
is outrageous surgical length to look like 20 year olds and it was just so bad
and bizarre and futile. And so that was a case of putting myself in the positio
n of an older woman feeling like that.
Q: You did a really really good rendition of Mussy Elliot's âGet Ur Fre
ak On.â What other song would you absolutely love to cover?
KT: Why thank you. I'd really really like to tackle a David Bowie song. I disco
vered when I did a cover of âFake Plastic Treesâ by Radiohead that if you cover
a song...by an artist that has an army of incredibly loyal and frightening fan
s (laughs), no one is allowed to cover Radiohead apparently...you shouldn't cov
er Radiohead and I'm quietly worried that that might happen if I went anywhere
near David Bowie. But when it comes to covers I always like doing stuff that is
n't necessarily expected of me, for example Missy Elliot. You know, really leav
ing my genre and trying something completely different and that excites meâchal
lenging myself.
Q: I read somewhere that when you were busking all those years ago you
met someone from Take That that actually gave you a quid is that true?
KT: It's completely true. It was Marc Owen. I was busking in Camden i was in my
hippie gear I had my nose ring and I was in my dungarees. I was busking away a
nd he walked past with a very very attractive girlfriend and I noticed that it
was Marc Owen from Take That and he gave me a quid and that was when Take That
were really really big and I wanted to say 'C'mon Marc, give me a fiver.â and I
met him recently and I've had some success and it was before Take That got bac
k together and he was trying to get his own success as a solo artist and not re
ally having a lot of luck and he gave me a CD and he said âI'd really love you
to listen to this and I know I'm probably not the right guy to support you but
if you like it then please get in touch.â And I said, âYou know what I need to
tell you something, you gave me a pain when I was busking once about seven year
s ago. Don't tell me that man you'll be given me a pain, tooâ He's a really rea
lly lovely person, he's a very nice guy.
Q: When you're not touring or writing songs, what do you do that's not
music-related to relax?
KT: Well, obviously my friends are a very very important part of my sanity and
my happiness so I have so little time that I really try to spend a lot of time
with my friends and family when I've got any free tiem. But I'm actually addict
ed to going to the cinema. I love going to see things on the big screen and I'm
quite happy...I'll go and see a weird, European sub-titled odd film and then I
'll go to Die Hard. I'm happy with anything. There is a level of...like really
bad kind of teen-age love filmâI really can't handle. That's really bad stuff b
ut you know I can defintiely handle some Transformers.
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