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âIn every language on the planet, from prison yards in the Philippines to Thrilltheworld.com, that will be the beautiful, grand leg acy of Michael Jackson.â

That was how Quincy Jones, the legendary record prod ucer and artist who produced Michaelâs monster hit albums, ended his beautiful tribute to the late entertainer that came out Tuesday, June 30, in the Los Ange les Times. In using the word âthat,â Quincy was referring to Michaelâs music. Q uincy wrote, âItâs no accident that almost three decades later, no matter where I go in the world, in every club and karaoke bar, like clockwork, you hear âBi llie Jean,â âBeat It,â âWanna Be Starting Something,â âRock With Youâ and âThri ller.â â

So take a bow, all 1,400 inmates of the Cebu provinc ial jail whose version of Michaelâs âThrillerâ video is an Internet sensation. Obviously, the man who guided Michael in recording âThrillerâ and who wrote a p ersonal, heartfelt ode to him in the LA Times piece, has seen the jailbirdsâ vi deo too. The inmates recently recreated the dance as a tribute to Quincyâs tale nt and dear friend.

MARIFE Necesito, who landed an important role in âMammoth,â which stars Academy and Golden Globe Award nominee, Michelle Williams, and acclaimed actor Gael Ga rcia Bernal, shared with us the link to the trailer of her international film ( posted on the bottom of this blog). âMammothâ is the first English-language fil m of Swedish writer-director Lukas Moodysson. As we reported earlier, in âMammoth,â Marife plays Gloria, a mother of two sons who leaves the Philippines to work as the nanny of the daughter (Sophie Nyweid e) of a successful New York couple, played by Gael and Michelle. When Gaelâs bu sinessman character goes to Thailand, he realizes that he wants to change his l ife. This development sets off a dramatic chain of events that impact the chara cters of Marife, Michelle and Sophie. Marife informed us that she filmed her scenes in New York, Sweden and the Phili ppines, specifically in Subic and Bataan. The trailer of the film prominently f eatures Marife, including an emotional scene where she speaks in Tagalog to her two sons on the phone. The two sons are also shown on a beach in the Philippin es, as shot by Lukasâ cinematographer, Marcel Zyskind, whose credits include An gelina Jolieâs âA Mighty Heart.â Marife shared that she had to dub a few of her lines in a dubbing st udio in Makati. She also told us via e-mail that in anticipation of the filmâs release early next year, she is doing phone interviews with the Swedish press, as arranged by Memfis Film, one of the production companies involved in the mak ing of âMammoth.â The Filipina actress added that Lukas is still making final editing work on âMa mmoth.â Lukas is the highly praised filmmaker of films like âLilja 4-ever,â âSh ow Me Loveâ and âTogether.â Lukas, who made the final decision to pick Marife f or the part, was hailed by his esteemed compatriot, the late Ingmar Bergman, as a âyoung master.â Marife said she enjoyed working with Michelle, whose credits include Ang Leeâs âBrokeback Mountain,â and Gael, the Mexican thespian whoâs enjoying a sterling international career with such films as âBabel,â âThe Motorcycle Diariesâ and âAmores Perros.â Hereâs the link to the trailer.
WE'REÂ glad to hear from The Jazz Society of the Philippines, USA that a Filipi no-American, Jon Irabagon, has just won the Thelonious Monk International Jazz Saxophone Competition. Jon, said to be the first Filipino to win this competition that is ranked no. 1 in the world in terms of prestige, won a $20,000 scholarship and a record cont ract with Concord Music Group, one of the leading jazz labels in the US. Raised in Chicago, Jon has been playing the saxophone since he was eight years old. He cinched his historic victory at the Kodak Theatre in Hollywood. We can ât wait to watch the new FilAm pride -- he will perform at the 4th Annual Filip ino-American Jazz Festival at the Catalina Bar & Grill, also in Hollywood, on December 27.

Dissin' with Alec Mapa

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By Ruben Nepales OUR interviews over the years with Fil-Am actor Alec Mapa, whether by e-mail or in person, have always been laugh riots. At the pre-show reception of the rece nt Filipino American Libraryâs âJazzmopolitan: A Celebration of Musicâ at the A ratani Theatre in LAâs Little Tokyo, we were just shooting the breeze with the star of âUgly Betty,â many TV shows, films and stage productions when our colle ague, Peter Gonzaga, turned on his video camera and mike. The resulting video c lip is just a sample of the sassy wit of Alec, whom my wife Janet and I admired since we first saw him in his acclaimed monologue, âI Remember Mapa.â Watch Alec Mapa with Ruben & Janet Nepales in Entertainmen t Videos |Â Â View More Free Videos Online a t Veoh.com Alec came on time to the event which raised funds for the laudable Filipino Ame rican Library (FAL), which is located in the historic Filipinotown of LA. The a ctor, who is committed to various charities and foundations, was going to be aw arded FALâs Role Model Award. Well, many hours and several glasses of wine later, and after terrific performa nces by Becca Godinez, Mon David, Charmaine Clamor, Three of a Kind, Tateng Kat indig, Michael and Rene Paulo, Alec finally got to go onstage and accept his aw ard. Alecâs hair has gone askew and despite having the tough task of delivering an acceptance speech after those excellent musical numbers, he still managed t o entertain the crowd and keep the momentum. Toward the end, he invoked his fav orite anecdote about how his mother, now deceased, motivated him when he was ju st starting in show business and was not making headway. âWhatâs stopping you? â Alecâs mother asked him. That made him pause. Nothing has stopped Alec since then.
By Ruben Nepales ON my drive away from the Greek Theatre where my wife and I just watched our ka babayan Arnel Pineda and his Journey bandmates stage the first of two very succ essful shows in LA, I stopped by a gas station. As I pumped gas into our car, a young white woman approached me and asked if I just came from the concert. When I said yes, the woman said she watched the sho w too. Then she peppered me with questions, the gist of which boiled to one thi ng: she wondered if the many Filipinos who trooped to the Greek Theatre that Su nday evening knew the songs of Journey. Although the lady said she knew that Neal Schon first saw Arnel when the former came across a video clip of Arnel singing a Journey hit on YouTube (back when he was doing Journey tribute songs in the Philippines), she appeared baffled th at people in the Philippines know Journey. I told her that I was familiar with those Journey anthems in the 1980s. She asked me if I was born in the US or in the Philippines. I said I was born and raised in the Philippines and I was back home when I first heard those Journey tunes. (Editor's note: Here's one of the video clips on YouTube that perhaps got Journ ey's attention.) < /object> I gave her the benefit of the doubt -- the woman appeared to be simply ignorant about the Philippines. Having come from the concert where she must have been s truck by the presence of so many Filipinos, she was now very curious about Fili pinos and the Philippines. She said, "It was nice to meet you" and walked back to her friend. When I finished pumping gas, I slid back into the car and recounted the somewhat strange encounter to my wife. The incident reflected the fact that Journeyâs decision to hire a Filipino guy as its frontman has sparked all sort s of discussions among the groupâs fans, especially on the blogosphere. Some ex pressed surprise at the choice, with some comments tinged with racist undertone s. But most Journey followers, including the thousands who filled arenas in Nor th and South America and Europe to watch the bandâs 2008 road tour concerts, ar e ecstatic about Arnel. The groupâs new CD, "Revelation," has become one of Jou rneyâs bestselling albums. Driving back on the road, I chuckled at the thought that yes, many of our kabab ayans wouldnât have bothered to make the trek to the Greek Theatre if Arnel was not in the band. But the fellow Pinoys who showed up in throngs to watch Arnel werenât complete ignoramuses about Journeyâs songs either. If only the young l ady knew -- we Filipinos are a sentimental lot who know all the lyrics of soft rock ballads like Journeyâs "Open Arms" and "Faithfully." We can all sing like Arnel Pineda, too. Well, that part is true only in our karaoke-wired imaginatio n. Read my full account of how LA welcomed Arnel as Journeyâs lead vocalist in my column on Philippine Daily Inquirer ("Only In Hollywood: Arnel, Journey welcomed wit h 'Open Arms' "). And if there are still doubters out there, hereâs an excerpt of Phil Galloâs review of the concert in Variety: "Hits and songs that sound like hits dominate Journey's 90-minute set in one of the summer's most consistently successful package tours, a sign that the lates t edition of Journey has assimilated new singer Arnel Pineda and returned to a strict focus on their hitmaking days of the late '70s and early '80s. Material from their Wal-Mart-only release âRevelationâ stands up well alongside the clas sics; album is tailor-made to attract fans of the Steve Perry era of the band. At the second of two sold-out shows at the Greek, Pineda proved he has crossed the line from Perry Karaoke master to respectable lead singer. That the new alb um taps into the energy and blueprint of Journey's hitmaking era makes for a cl ear formula for Pineda to follow and simultaneously gives a band an opportunity to maintain a focus in a career-spanning set."
At the rate weâve been getting text messages that Brillante "Dante" Mendoza won this or that award in an international film festival, heâs probably the Filipi no director with the most number of wins in these events held all over the worl d. Is anybody making a tally? We have become almost blasé to hear that Dante has won in yet another film fes t. The prolific filmmakerâs latest triumph is at the 6th Vladivostok Internatio nal Film Festival of Asian Pacific Countries where he won the Best Director awa rd while his lead, Gina Pareño, earned the Best Actress honors for "Serbis." D anteâs victories are raising awareness in the international film community of t he Philippinesâ vibrant indie movie scene. (Photo: One more addition to his growing trophy collection: a triumphant Brilla nte "Dante" Mendoza (center) in Vladivostok, Russia.)
It is almost too good to be t rue: a Filipina actress, Marife Necesito (see photo), has been plucked from rel ative obscurity to star in an international film with Michelle Williams and Gae l Garcia Bernal. "Mammoth," written and directed by Swedish wunderkind Lukas Mo odysson, was shot in New York, Sweden, Thailand and the Philippines. With Marif e in the photo at the film's press conference in Sweden are Sophie Nyweide, Mic helle Williams, director Lukas Moodysson and Gael Garcia Bernal. Sounding humble in our interview via e-mail, Marife peppered every sentence wit h "po" -- we felt like we were being addressed by Nora Aunor. For brevityâs sak e, we deleted all the "pos" in Marifeâs answers in our interview which appears in our column. Read her account of how she landed the role -- it's a fascinatin g story.
TORONTO, Canada --It was a moving sight -- Anita Linda, at 83, atten ding her first ever international film festival, was applauded and cheered enth usiastically by the audience who came to the second screening of "Adela," her m ovie directed by Adolfo Alix Jr. (left)Â and produced by Arleen Cuevas (right), at the ongoing Toronto International Film Festival. A âquestion and answerâ wi th the audience followed the screening which reflected the crowd's affection fo r Anita and her performance as a grandmother marking her 80th birthday. I was t old that the first screening of "Adela" was also a success. (Photo by R uben Nepales).
The Philippines' "Melancholia" directed by Lav Diaz won the Orizzonti prize for feature film in the Venice Film Festival. Last year, Diaz won the Special Mention in the Orizzonti for his documentary "E ncantos."Melancholia," according to Diaz, is an 8 plus hour meditation on love, life and suffering. It was shot in various locations around the Philippine cou ntryside.
MY good hunch about our two entries in the ongoing Venice Film Festivalâs sidebar, Orizzonti, âJayâ and âMelancholia,â is proving to be right . (Photo: "Jay" delegation on the Lido [from left]: distributor Ferdy Lapuz, acto r-cinematographer Carlo Mendoza, lead actor Baron Geisler and writer-director-p roducer Francis Xavier E. Pasion) Financial Times came out with the first review of director Francis Xavier E. Pa sionâs âJayâ and it is very encouraging. The London paperâs critic, Nigel Andre ws, cited Francisâ directorial debut which stars Baron Geisler, Coco Martin and Flor Salanga, as one of the standouts so far in the festival on the Lido. Andrews wrote, âOn the Venice fringe there have been two films to cheer: an Ita lian reconstruction and a Philippine satire. Pier Paolo Pasoliniâs 1963 La Rabb ia (âRageâ) was a potion of screen rhetoric, never before seen in the undiluted form the director intendedâ¦Giuseppe Bertolucci (Bernardoâs brother) has re-as sembled the old material, added some never seen, and puts before Italy and the world Pasoliniâs true original rage, a scintillating montage of 20th-century ne ws footage â from Mussolini to Marilyn Monroe â unified and signposted by a gen iusâs vision. âPerfidious media managers; treachery in the name of truth. They are everywhere today, not least in the lies of âreality TV.â Francis Xavier Pasionâs Jay, fro m the Philippines, is an acutely funny tale of intrusive telly reporters, beari ng down on a family bereaved by a gay sonâs murder to make their grief part of a nationâs infotainment. They start by poking a lens at the familyâs faces as t hey learn the news; they end by getting them to act, or re-enact, every emotion al convulsion that needs a second, third or umpteenth take. The remuneration? T he reporters will help find the sonâs killer. By the time they do, even the mur derer, we know, will be signing release forms and hungrily securing his 15 minu tes of fame.â Congratulations to the âJayâ delegation now in Venice! Next, Lav Diaz unveils h is âMelancholiaâ on Saturday. I have high hopes for Lavâs second consecutive Or izzonti (Horizons) entry too.

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