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    <title>The Nepales Report</title>
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    <id>tag:blogs.inquirer.net,2010-01-08:/nepalesreport//35</id>
    <updated>2010-01-08T12:00:02Z</updated>
    
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<entry>
    <title>Michael Jacksonâs legendary producer cites Cebu inmatesâ âThrillerâ vide</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2009/07/01/michael-jacksonas-legendary-producer-cites-cebu-inmatesa-athrillera-vide/" />
    <id>tag:blogs.inquirer.net,2009:/nepalesreport//35.10511</id>

    <published>2009-07-01T06:06:13Z</published>
    <updated>2010-01-08T12:00:02Z</updated>

    <summary>âIn every language on the planet, from prison yards in the Philippines to Thrilltheworld.com, that will be the beautiful, grand leg acy of Michael Jackson.â That was how Quincy Jones, the legendary record prod ucer and artist who produced Michaelâs...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Celebrities" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="celebrities" label="Celebrities" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="deathnotices" label="death notices" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="obituary" label="obituary" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="prison" label="prison" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<p class="MsoNormal"><span>âIn every language on the planet, from prison yards 
in the Philippines to Thrilltheworld.com, that will be the beautiful, grand leg
acy of Michael Jackson.â</span></p>
<p class="MsoNormal"><span>That was how Quincy Jones, the legendary record prod
ucer and artist who produced Michaelâs monster hit albums, ended his beautiful 
tribute to the late entertainer that came out Tuesday, June 30, in the Los Ange
les Times. In using the word âthat,â Quincy was referring to Michaelâs music. Q
uincy wrote, âItâs no accident that almost three decades later, no matter where
 I go in the world, in every club and karaoke bar, like clockwork, you hear âBi
llie Jean,â âBeat It,â âWanna Be Starting Something,â âRock With Youâ and âThri
ller.â â</span></p>
<p class="MsoNormal"><span>So take a bow, all 1,400 inmates of the Cebu provinc
ial jail whose version of Michaelâs âThrillerâ video is an Internet sensation. 
Obviously, the man who guided Michael in recording âThrillerâ and who wrote a p
ersonal, heartfelt ode to him in the LA Times piece, has seen the jailbirdsâ vi
deo too. The inmates recently recreated the dance as a tribute to Quincyâs tale
nt and dear friend.</span></p>]]>
        
    </content>
</entry>

<entry>
    <title>Now showing: Trailer of international film with Pinay actress</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/11/30/now-showing-trailer-of-international-film-with-pinay-actress/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10510</id>

    <published>2008-11-30T01:22:35Z</published>
    <updated>2010-01-08T12:00:01Z</updated>

    <summary>MARIFE Necesito, who landed an important role in âMammoth,â which stars Academy and Golden Globe Award nominee, Michelle Williams, and acclaimed actor Gael Ga rcia Bernal, shared with us the link to the trailer of her international film ( posted...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[MARIFE Necesito, who landed an important role in âMammoth,â which stars Academy
 and Golden Globe Award nominee, Michelle Williams, and acclaimed actor Gael Ga
rcia Bernal, shared with us the link to the trailer of her international film (
posted on the bottom of this blog). âMammothâ is the first English-language fil
m of Swedish writer-director Lukas Moodysson.

As we reported earlier, in âMammoth,â Marife plays Gloria, a mother of two sons
 who leaves the Philippines to work as the nanny of the daughter (Sophie Nyweid
e) of a successful New York couple, played by Gael and Michelle. When Gaelâs bu
sinessman character goes to Thailand, he realizes that he wants to change his l
ife. This development sets off a dramatic chain of events that impact the chara
cters of Marife, Michelle and Sophie.

Marife informed us that she filmed her scenes in New York, Sweden and the Phili
ppines, specifically in Subic and Bataan. The trailer of the film prominently f
eatures Marife, including an emotional scene where she speaks in Tagalog to her
 two sons on the phone. The two sons are also shown on a beach in the Philippin
es, as shot by Lukasâ cinematographer, Marcel Zyskind, whose credits include An
gelina Jolieâs âA Mighty Heart.â

<!--more-->Marife shared that she had to dub a few of her lines in a dubbing st
udio in Makati. She also told us via e-mail that in anticipation of the filmâs 
release early next year, she is doing phone interviews with the Swedish press, 
as arranged by Memfis Film, one of the production companies involved in the mak
ing of âMammoth.â

The Filipina actress added that Lukas is still making final editing work on âMa
mmoth.â Lukas is the highly praised filmmaker of films like âLilja 4-ever,â âSh
ow Me Loveâ and âTogether.â Lukas, who made the final decision to pick Marife f
or the part, was hailed by his esteemed compatriot, the late Ingmar Bergman, as
 a âyoung master.â

Marife said she enjoyed working with Michelle, whose credits include Ang Leeâs 
âBrokeback Mountain,â and Gael, the Mexican thespian whoâs enjoying a sterling 
international career with such films as âBabel,â âThe Motorcycle Diariesâ and 
âAmores Perros.â

Hereâs the <a href="http://twitchfilm.net/site/view/has-moodysson-been-bitten-b
y-the-babel-bug-first-mammut-mammoth-trailer-arr#extended" target="_blank">link
</a> to the trailer.]]>
        
    </content>
</entry>

<entry>
    <title>Fil-Am wins international jazz competition</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/10/27/fil-am-wins-international-jazz-competition/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10508</id>

    <published>2008-10-27T07:47:18Z</published>
    <updated>2010-01-08T12:00:00Z</updated>

    <summary> WE&apos;REÂ glad to hear from The Jazz Society of the Philippines, USA that a Filipi no-American, Jon Irabagon, has just won the Thelonious Monk International Jazz Saxophone Competition. Jon, said to be the first Filipino to win this competition...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Awards" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Contests" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/10/jon
hirabagon2.jpg"><img class="alignnone size-medium wp-image-118" title="jonhirab
agon2" src="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/10/
jonhirabagon2-300x169.jpg" alt="" width="300" height="169" /></a>

WE'REÂ glad to hear from The Jazz Society of the Philippines, USA that a Filipi
no-American, Jon Irabagon, has just won the Thelonious Monk International Jazz 
Saxophone Competition.

Jon, said to be the first Filipino to win this competition that is ranked no. 1
 in the world in terms of prestige, won a $20,000 scholarship and a record cont
ract with Concord Music Group, one of the leading jazz labels in the US.

Raised in Chicago, Jon has been playing the saxophone since he was eight years 
old. He cinched his historic victory at the Kodak Theatre in Hollywood. We can
ât wait to watch the new FilAm pride -- he will perform at the 4th Annual Filip
ino-American Jazz Festival at the Catalina Bar &amp; Grill, also in Hollywood, 
on December 27.]]>
        
    </content>
</entry>

<entry>
    <title>Dissin&apos; with Alec Mapa</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/10/15/dissin-with-alec-mapa/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10507</id>

    <published>2008-10-15T09:38:24Z</published>
    <updated>2010-01-08T12:00:00Z</updated>

    <summary>By Ruben Nepales OUR interviews over the years with Fil-Am actor Alec Mapa, whether by e-mail or in person, have always been laugh riots. At the pre-show reception of the rece nt Filipino American Libraryâs âJazzmopolitan: A Celebration of Musicâ...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Celebrities" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="celebrities" label="Celebrities" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<strong>By Ruben Nepales
</strong>
OUR interviews over the years with Fil-Am actor Alec Mapa, whether by e-mail or
 in person, have always been laugh riots. At the pre-show reception of the rece
nt Filipino American Libraryâs âJazzmopolitan: A Celebration of Musicâ at the A
ratani Theatre in LAâs Little Tokyo, we were just shooting the breeze with the 
star of âUgly Betty,â many TV shows, films and stage productions when our colle
ague, Peter Gonzaga, turned on his video camera and mike. The resulting video c
lip is just a sample of the sassy wit of Alec, whom my wife Janet and I admired
 since we first saw him in his acclaimed monologue, âI Remember Mapa.â

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h.cab#version=6,0,40,0"><param name="bgcolor" value="#FFFFFF" /><param name="sr
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="application/x-shockwave-flash" width="370" height="308" src="http://www.veoh.
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deodetailsembedded&amp;videoAutoPlay=0" bgcolor="#FFFFFF"></embed></object>
<span style="font-size: xx-small;">Watch <a href="http://www.veoh.com/videos/v1
6240554qnrjyPW4">Alec Mapa with Ruben &amp; Janet Nepales</a> in <a href="http:
//www.veoh.com/browse/videos.html?category=category_entertainment">Entertainmen
t Videos</a> |Â Â View More <a href="http://www.veoh.com/">Free Videos Online a
t Veoh.com</a></span>

Alec came on time to the event which raised funds for the laudable Filipino Ame
rican Library (FAL), which is located in the historic Filipinotown of LA. The a
ctor, who is committed to various charities and foundations, was going to be aw
arded FALâs Role Model Award.

Well, many hours and several glasses of wine later, and after terrific performa
nces by Becca Godinez, Mon David, Charmaine Clamor, Three of a Kind, Tateng Kat
indig, Michael and Rene Paulo, Alec finally got to go onstage and accept his aw
ard. Alecâs hair has gone askew and despite having the tough task of delivering
 an acceptance speech after those excellent musical numbers, he still managed t
o entertain the crowd and keep the momentum. Toward the end, he invoked his fav
orite anecdote about how his mother, now deceased, motivated him when he was ju
st starting in show business and was not making headway. âWhatâs stopping you?
â Alecâs mother asked him. That made him pause. Nothing has stopped Alec since 
then.]]>
        
    </content>
</entry>

<entry>
    <title>Arnel Pineda in Journey: The race factor</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/10/04/arnel-pineda-in-journey-the-race-factor/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10506</id>

    <published>2008-10-03T22:29:29Z</published>
    <updated>2010-01-08T12:00:00Z</updated>

    <summary>By Ruben Nepales ON my drive away from the Greek Theatre where my wife and I just watched our ka babayan Arnel Pineda and his Journey bandmates stage the first of two very succ essful shows in LA, I stopped...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Celebrities" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="celebrities" label="Celebrities" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<strong>By Ruben Nepales
</strong>
ON my drive away from the Greek Theatre where my wife and I just watched our ka
babayan Arnel Pineda and his Journey bandmates stage the first of two very succ
essful shows in LA, I stopped by a gas station.

As I pumped gas into our car, a young white woman approached me and asked if I 
just came from the concert. When I said yes, the woman said she watched the sho
w too. Then she peppered me with questions, the gist of which boiled to one thi
ng: she wondered if the many Filipinos who trooped to the Greek Theatre that Su
nday evening knew the songs of Journey.

Although the lady said she knew that Neal Schon first saw Arnel when the former
 came across a video clip of Arnel singing a Journey hit on YouTube (back when 
he was doing Journey tribute songs in the Philippines), she appeared baffled th
at people in the Philippines know Journey. I told her that I was familiar with 
those Journey anthems in the 1980s. She asked me if I was born in the US or in 
the Philippines. I said I was born and raised in the Philippines and I was back
 home when I first heard those Journey tunes.

(Editor's note: Here's one of the video clips on YouTube that perhaps got Journ
ey's attention.)

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="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflas
h.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param nam
e="src" value="http://www.youtube.com/v/6HjcCzgCCX0&amp;hl=en&amp;fs=1" /><embe
d type="application/x-shockwave-flash" width="425" height="344" src="http://www
.youtube.com/v/6HjcCzgCCX0&amp;hl=en&amp;fs=1" allowfullscreen="true"></embed><
/object>

I gave her the benefit of the doubt -- the woman appeared to be simply ignorant
 about the Philippines. Having come from the concert where she must have been s
truck by the presence of so many Filipinos, she was now very curious about Fili
pinos and the Philippines. She said, "It was nice to meet you" and walked back 
to her friend.

<!--more-->When I finished pumping gas, I slid back into the car and recounted 
the somewhat strange encounter to my wife. The incident reflected the fact that
 Journeyâs decision to hire a Filipino guy as its frontman has sparked all sort
s of discussions among the groupâs fans, especially on the blogosphere. Some ex
pressed surprise at the choice, with some comments tinged with racist undertone
s. But most Journey followers, including the thousands who filled arenas in Nor
th and South America and Europe to watch the bandâs 2008 road tour concerts, ar
e ecstatic about Arnel. The groupâs new CD, "Revelation," has become one of Jou
rneyâs bestselling albums.

Driving back on the road, I chuckled at the thought that yes, many of our kabab
ayans wouldnât have bothered to make the trek to the Greek Theatre if Arnel was
 not in the band. But the fellow Pinoys who showed up in throngs to watch Arnel
 werenât complete ignoramuses about Journeyâs songs either. If only the young l
ady knew -- we Filipinos are a sentimental lot who know all the lyrics of soft 
rock ballads like Journeyâs "Open Arms" and "Faithfully." We can all sing like 
Arnel Pineda, too. Well, that part is true only in our karaoke-wired imaginatio
n.

Read my full account of how LA welcomed Arnel as Journeyâs lead vocalist in my 
<a href="http://showbizandstyle.inquirer.net/entertainment/entertainment/view/2
0081002-164260/Arnel-Journey-welcomed-with-Open-Arms" target="_blank">column</a
> on Philippine Daily Inquirer ("Only In Hollywood: Arnel, Journey welcomed wit
h 'Open Arms' "). And if there are still doubters out there, hereâs an excerpt 
of Phil Galloâs review of the concert in Variety:

"Hits and songs that sound like hits dominate Journey's 90-minute set in one of
 the summer's most consistently successful package tours, a sign that the lates
t edition of Journey has assimilated new singer Arnel Pineda and returned to a 
strict focus on their hitmaking days of the late '70s and early '80s. Material 
from their Wal-Mart-only release âRevelationâ stands up well alongside the clas
sics; album is tailor-made to attract fans of the Steve Perry era of the band.

At the second of two sold-out shows at the Greek, Pineda proved he has crossed 
the line from Perry Karaoke master to respectable lead singer. That the new alb
um taps into the energy and blueprint of Journey's hitmaking era makes for a cl
ear formula for Pineda to follow and simultaneously gives a band an opportunity
 to maintain a focus in a career-spanning set."]]>
        
    </content>
</entry>

<entry>
    <title>Is Dante Mendoza the &apos;winning-est&apos; Pinoy film director?</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/09/27/is-dante-mendoza-the-winning-est-pinoy-film-director/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10503</id>

    <published>2008-09-27T12:08:59Z</published>
    <updated>2010-01-08T11:59:59Z</updated>

    <summary> At the rate weâve been getting text messages that Brillante &quot;Dante&quot; Mendoza won this or that award in an international film festival, heâs probably the Filipi no director with the most number of wins in these events held all...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Awards" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Uncategorized" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<img style="float:left; margin-right:10px; margin-top:5px; border:1px grey soli
d" title="dantecoco-477" src="http://blogs.inquirer.net/nepalesreport/wp-conten
t/uploads/2008/09/dantecoco-477-300x199.jpg" alt="" width="300" height="199" />
At the rate weâve been getting text messages that Brillante "Dante" Mendoza won
 this or that award in an international film festival, heâs probably the Filipi
no director with the most number of wins in these events held all over the worl
d. Is anybody making a tally?

We have become almost blasÃ© to hear that Dante has won in yet another film fes
t. The prolific filmmakerâs latest triumph is at the 6th Vladivostok Internatio
nal Film Festival of Asian Pacific Countries where he won the Best Director awa
rd while his lead, Gina PareÃ±o, earned the Best Actress honors for "Serbis." D
anteâs victories are raising awareness in the international film community of t
he Philippinesâ vibrant indie movie scene.
<strong>
(Photo: One more addition to his growing trophy collection: a triumphant Brilla
nte "Dante" Mendoza (center) in Vladivostok, Russia.)</strong>]]>
        
    </content>
</entry>

<entry>
    <title>Meeting Filipino actress Marife Necesito</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/09/21/meeting-filipino-actress-marife-necesito/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10500</id>

    <published>2008-09-21T15:53:08Z</published>
    <updated>2010-01-08T11:59:59Z</updated>

    <summary>It is almost too good to be t rue: a Filipina actress, Marife Necesito (see photo), has been plucked from rel ative obscurity to star in an international film with Michelle Williams and Gae l Garcia Bernal. &quot;Mammoth,&quot; written and...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Celebrities" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="celebrities" label="Celebrities" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/09/mar
ifeoneimg-0287.jpg"><img class="alignnone size-medium wp-image-110" style="floa
t:left; margin-right:10px; margin-top:5px; border:1px grey solid" title="marife
oneimg-0287" src="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/20
08/09/marifeoneimg-0287-300x168.jpg" alt="" /></a>It is almost too good to be t
rue: a Filipina actress, Marife Necesito (see photo), has been plucked from rel
ative obscurity to star in an international film with Michelle Williams and Gae
l Garcia Bernal. "Mammoth," written and directed by Swedish wunderkind Lukas Mo
odysson, was shot in New York, Sweden, Thailand and the Philippines. With Marif
e in the photo at the film's press conference in Sweden are Sophie Nyweide, Mic
helle Williams, director Lukas Moodysson and Gael Garcia Bernal.

Sounding humble in our interview via e-mail, Marife peppered every sentence wit
h "po" -- we felt like we were being addressed by Nora Aunor. For brevityâs sak
e, we deleted all the "pos" in Marifeâs answers in our interview which appears 
in our column. Read her account of how she landed the role -- it's a fascinatin
g story.]]>
        
    </content>
</entry>

<entry>
    <title>Enthusiastic reception for Anita Linda in int&apos;l film festival</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/09/09/enthusiastic-reception-for-anita-linda-in-intl-film-festival/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10496</id>

    <published>2008-09-09T04:23:49Z</published>
    <updated>2010-01-08T11:59:59Z</updated>

    <summary>TORONTO, Canada --It was a moving sight -- Anita Linda, at 83, atten ding her first ever international film festival, was applauded and cheered enth usiastically by the audience who came to the second screening of &quot;Adela,&quot; her m ovie...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Being Filipino" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Film" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="entertainment" label="entertainment" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pinoy" label="Pinoy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/09/ani
talinda.jpg"><img style="float:left; margin-right:10px; margin-top:5px; border:
1px grey solid" title="anitalinda" src="http://blogs.inquirer.net/nepalesreport
/wp-content/uploads/2008/09/anitalinda-300x225.jpg" alt="" width="300" height="
225" /></a>TORONTO, Canada --It was a moving sight -- Anita Linda, at 83, atten
ding her first ever international film festival, was applauded and cheered enth
usiastically by the audience who came to the second screening of "Adela," her m
ovie directed by Adolfo Alix Jr. (left)Â and produced by Arleen Cuevas (right),
 at the ongoing Toronto International Film Festival. A âquestion and answerâ wi
th the audience followed the screening which reflected the crowd's affection fo
r Anita and her performance as a grandmother marking her 80th birthday. I was t
old that the first screening of "Adela" was also a success. <strong>(Photo by R
uben Nepales).</strong>]]>
        
    </content>
</entry>

<entry>
    <title>Lav Diaz&apos; film wins in Venice Film Festival</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/09/07/lav-diaz-film-wins-in-venice-film-festival/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10495</id>

    <published>2008-09-07T10:38:55Z</published>
    <updated>2010-01-08T11:59:59Z</updated>

    <summary>The Philippines&apos; &quot;Melancholia&quot; directed by Lav Diaz won the Orizzonti prize for feature film in the Venice Film Festival. Last year, Diaz won the Special Mention in the Orizzonti for his documentary &quot;E ncantos.&quot;Melancholia,&quot; according to Diaz, is an 8...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Awards" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Venice Film Festival" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="entertainment" label="entertainment" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pinoy" label="Pinoy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        The Philippines&apos; &quot;Melancholia&quot; directed by Lav Diaz won the Orizzonti prize for
 feature film in the Venice Film Festival. 

Last year, Diaz won the Special Mention in the Orizzonti for his documentary &quot;E
ncantos.&quot;Melancholia,&quot; according to Diaz, is an 8 plus hour meditation on love,
 life and suffering. It was shot in various locations around the Philippine cou
ntryside.
        
    </content>
</entry>

<entry>
    <title>RPâs Venice entry gets first good review</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/09/02/rpas-venice-entry-gets-first-good-review/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10493</id>

    <published>2008-09-02T01:21:20Z</published>
    <updated>2010-01-08T11:59:59Z</updated>

    <summary>MY good hunch about our two entries in the ongoing Venice Film Festivalâs sidebar, Orizzonti, âJayâ and âMelancholia,â is proving to be right . (Photo: &quot;Jay&quot; delegation on the Lido [from left]: distributor Ferdy Lapuz, acto r-cinematographer Carlo Mendoza, lead...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Film" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Venice Film Festival" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="filipino" label="Filipino" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="indie" label="indie" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="philippines" label="Philippines" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/09/rub
en2.jpg"><img class="alignleft size-medium wp-image-101" style="float:left; mar
gin-right:10px; margin-top:5px; border:1px grey solid" title="ruben2" src="http
://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/09/ruben2-300x225.j
pg" alt="" /></a>MY good hunch about our two entries in the ongoing Venice Film
 Festivalâs sidebar, Orizzonti, âJayâ and âMelancholia,â is proving to be right
.

(Photo: "Jay" delegation on the Lido [from left]: distributor Ferdy Lapuz, acto
r-cinematographer Carlo Mendoza, lead actor Baron Geisler and writer-director-p
roducer Francis Xavier E. Pasion)

Financial Times came out with the first review of director Francis Xavier E. Pa
sionâs âJayâ and it is very encouraging. The London paperâs critic, Nigel Andre
ws, cited Francisâ directorial debut which stars Baron Geisler, Coco Martin and
 Flor Salanga, as one of the standouts so far in the festival on the Lido.

Andrews wrote, âOn the Venice fringe there have been two films to cheer: an Ita
lian reconstruction and a Philippine satire. Pier Paolo Pasoliniâs 1963 La Rabb
ia (âRageâ) was a potion of screen rhetoric, never before seen in the undiluted
 form the director intendedâ¦Giuseppe Bertolucci (Bernardoâs brother) has re-as
sembled the old material, added some never seen, and puts before Italy and the 
world Pasoliniâs true original rage, a scintillating montage of 20th-century ne
ws footage â from Mussolini to Marilyn Monroe â unified and signposted by a gen
iusâs vision.

âPerfidious media managers; treachery in the name of truth. They are everywhere
 today, not least in the lies of âreality TV.â Francis Xavier Pasionâs Jay, fro
m the Philippines, is an acutely funny tale of intrusive telly reporters, beari
ng down on a family bereaved by a gay sonâs murder to make their grief part of 
a nationâs infotainment. They start by poking a lens at the familyâs faces as t
hey learn the news; they end by getting them to act, or re-enact, every emotion
al convulsion that needs a second, third or umpteenth take. The remuneration? T
he reporters will help find the sonâs killer. By the time they do, even the mur
derer, we know, will be signing release forms and hungrily securing his 15 minu
tes of fame.â

Congratulations to the âJayâ delegation now in Venice! Next, Lav Diaz unveils h
is âMelancholiaâ on Saturday. I have high hopes for Lavâs second consecutive Or
izzonti (Horizons) entry too.]]>
        
    </content>
</entry>

<entry>
    <title>Wanted: more support for RP indie film industry</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/09/01/wanted-more-support-for-rp-indie-film-industry/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10491</id>

    <published>2008-09-01T04:32:47Z</published>
    <updated>2010-01-08T11:59:58Z</updated>

    <summary>THE SE are exciting times for Philippine independent cinema. Pinoy indie films are being selected left and right as official selections in major film festivals ar ound the world. (Photo: RP pride on the red carpet in the Venice Film...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Film" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="filipinos" label="Filipinos" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="films" label="films" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="indie" label="indie" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pinoy" label="Pinoy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/09/rub
en.jpeg"><img style="float:left; margin-right:10px; margin-top:5px; border:1px 
grey solid" title="ruben" src="http://blogs.inquirer.net/nepalesreport/wp-conte
nt/uploads/2008/09/ruben-300x225.jpg" alt="" width="300" height="225" /></a>THE
SE are exciting times for Philippine independent cinema. Pinoy indie films are 
being selected left and right as official selections in major film festivals ar
ound the world.

(Photo: RP pride on the red carpet in the Venice Film Festival where "Jay" open
ed Orizzonti, a competition sidebar: actor-cinematographer Carlo Mendoza, lead 
actor Baron Geisler, Venice Film Festival director Marco Mueller, selection com
mittee member Paolo Bertolin, writer-director-producer Francis Xavier E. Pasion
 and distributor Ferdy Lapuz).

I just heard via e-mail from director Francis Xavier E. Pasion, whose Cinemalay
a winning entry, âJay,â just opened the Orizzonti (Horizons) sidebar of the ong
oing Venice Film Festival.

While Francis sounded ecstatic about the reception of âJayâ at the PalaLido and
 PalaBiennale in the festival on the Lido, he also expressed his wish that the 
Philippine government and the private sector would support more enthusiasticall
y the fledging indie film industry which has been reaping honors for the countr
y.

The director of the film which stars Baron Geisler, Coco Martin and my long-tim
e friend Flor Salanga wrote in his email to me, âI am extremely happy for Phili
ppine cinema's participation in the Venice International Film Festival, but at 
the same time, I feel that there is more to be done to be more competitive in t
he world stage. I envy some of the films that are given full support by the gov
ernment and private sectors in their respective countries.â

He clarified, âWe are grateful for the FDCP (Film Development Council of the Ph
ilippines) for their support for our film, but we hope that the government woul
d give more funding to the agency because more films are getting invitations fr
om festivals abroad, and there is a resurgence of independent films that need f
unding from the agency.â

Lav Diaz, whose âMelancholiaâ closes the Orizzonti on Saturday, September 6, ha
d earlier expressed similar sentiments but in, let me say, colorful Tagalog ter
ms.

The filmmaker who is going places with his first feature film added, âFDCP and 
the NCCA (National Commission for Culture and the Arts) are the two government 
institutions that are directly involved with the funding of independent films.
â

He shared, âThe international audience in Venice could hardly believe that we c
an produce a good film in 10 days with a budget of only 1.5 million pesos (25,0
00 euros).

Speaking about the subject matter of âJay,â Francis said, âSome of the Italian 
documentary film directors and media practitioners said that they can relate wi
th the strong message of media manipulation and the prevalence of infotainment 
in Italy.â

Both he and Francis have a chance of shouting âMabuhay ang pelikulang Pilipino!
â from the podium come awards night on Sunday, September 7.]]>
        
    </content>
</entry>

<entry>
    <title>Dante Mendoza returns to Cannes -- in competition this year</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/04/23/dante-mendoza-returns-to-cannes----in-competition-this-year/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10490</id>

    <published>2008-04-23T13:05:18Z</published>
    <updated>2010-01-08T11:59:58Z</updated>

    <summary>IT seems like only yesterday when we interviewed Brillante &quot;Dante&quot; Mendoza and took pictures of him on Cannes&apos; famous Croisette last year. Now, we just learne d the happy news that Dante is returning to Cannes this year but this...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Cannes" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Film" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[IT seems like only yesterday when we interviewed Brillante "Dante" Mendoza and 
took pictures of him on Cannes' famous Croisette last year. Now, we just learne
d the happy news that Dante is returning to Cannes this year but this time, his
 entry, "Serbis," is in the major event -- the in-competition category. We are 
so proud that another Pinoy filmmaker is following the Cannes path blazed by th
e late great Lino Brocka.

Dante is in great company. Just ponder the list of filmmakers whose films are a
lso in competition this year: Clint Eastwood, Charlie Kaufman, Wim Wenders, Wal
ter Salles, Atom Egoyan, Jia Zhangke, Steven Soderbergh and Arnaud Desplechin. 
<em>Mabuhay ka</em>, Dante!]]>
        
    </content>
</entry>

<entry>
    <title>Ramiele Malubay: Will Pinoys and Asians make her 1st Asian-American &apos;Ido</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/03/05/ramiele-malubay-will-pinoys-and-asians-make-her-1st-asian-american-ido/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10489</id>

    <published>2008-03-05T05:57:52Z</published>
    <updated>2010-01-08T11:59:55Z</updated>

    <summary>IN HER interesting post, &quot;Idol Talk: The Pinoy Connection,&quot; Vera H-C Chan wrote , in part, &quot;â¦a University of Arkansas economist actually used &apos;American Idol&apos; as a means to study racial discrimination in the labor market. He uncovered a &apos;...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[IN HER interesting post, "Idol Talk: The Pinoy Connection," Vera H-C Chan wrote
, in part, "â¦a University of Arkansas economist actually used 'American Idol' 
as a means to study racial discrimination in the labor market. He uncovered a '
positive correlation' between the race of the viewers and contestants when the 
competition got hot. In Malubay's case, she has the backing of Filipinos in her
 hometown and in the Philippines in her pursuit. Given the small population (an
d the latter's ineligibility to vote), Malubay's appeal will have to transcend 
race. That may be exactly what both sides are hoping for."

Let's hope that Ramiele does indeed transcend race and get the support of a vas
t majority of Americans who vote on "American Idol." Jasmine Trias nearly made 
it because she was able to achieve that. What many are saying is that Ramiele h
as truly what it takes to be an "American Idol" so with the combined support of
 Filipino-Americans (and they do not comprise a "small population" in the US), 
Asian-Americans and mainstream Americans, she may realize her dream of becoming
 the first brown "Idol."

<em>Kababayans</em>, what do you think?]]>
        
    </content>
</entry>

<entry>
    <title>Film on Pinoy &apos;queen&apos; reigns in Berlin film fest</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/02/15/film-on-pinoy-queen-reigns-in-berlin-film-fest/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10487</id>

    <published>2008-02-15T10:01:08Z</published>
    <updated>2010-01-08T11:59:55Z</updated>

    <summary>A FILM on a Pinoy transvestite won Thursday the top prize at the Berlinale&apos;s Teddy Que er Film Awards. &quot;The Amazing Truth about Queen Raquela,&quot; which stars Raquela Rios of Cebu, bagg ed the Best Feature Film Award in the...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Film" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/02/raq
uelarios.jpg" title="raquelarios.jpg"><img align="left" width="320" src="http:/
/blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/02/raquelarios.jpg" a
lt="raquelarios.jpg" style="width: 320px" title="raquelarios.jpg" /></a>A FILM 
on a Pinoy transvestite won Thursday the top prize at the Berlinale's Teddy Que
er Film Awards.

"The Amazing Truth about Queen Raquela," which stars Raquela Rios of Cebu, bagg
ed the Best Feature Film Award in the sidebar of the Berlin International Film 
festival.

"Queen Raquela" was cited by the jury "for its ability to address race, gender 
and poverty in an entertaining way, while also playing with audiences' expectat
ions of form."

Filipino director Auraeus Solito won the same award in 2006 for his acclaimed "
Ang Pagdadalaga ni (The Blossoming of) Maximo Oliveros."

The prize includes a 3,000 Euro endowment to the film's director, Olaf de Fleur
 Johannesson. Arlene Cuevas co-produced "Queen Raquela" which also features act
ors from the Philippines and Iceland, including Olivia Galudo, Brax Villa, Amor
 Alingasa, Raniel Dave Balasabas, Ren Christian Balasabas, Stefan C. Schaefer, 
Edith Galudo, Luis Labandero, Archie Modequillo, Reynaldo Palatulon and Alexis 
Yap.

"Queen Raquela," which also tapped a Pinoy crew that includes Alexis, Butch Mad
dul, Ragnar Santos, and Beverly TaÃ±edo, was shot in the Philippines, Thailand,
 Iceland, Denmark, France and the US.

Olaf wrote the plot summary in the film's IMDB.com entry: "Raquela is a poor la
dyboy prostitute who dreams of escaping to Paris, France to supposedly find her
 knight on Champs-Elysees, marry and have a familyâ¦ But she has little chance 
of getting a French visaâ¦

"When Raquela is discovered by a photographer, she gets a job working as a webc
am host on a popular ladyboy website. Within six weeks, she becomes the first F
ilipino online porn star and earns ten times the average salary in the Philippi
nes. Wanting to escape, she tries over the Internet to find that special guy wh
o will take her to Paris but she is not fortunate: she is stood-up month after 
month at the airport.

"Things change when she meets online Valery, the only ladyboy in Iceland lookin
g for friendship and who promises to help Raquela with her visa so she can fina
lly go to Paris."]]>
        
    </content>
</entry>

<entry>
    <title>A Slamdance tagay!</title>
    <link rel="alternate" type="text/html" href="http://blogs.inquirer.net/nepalesreport/2008/01/31/a-slamdance-tagay/" />
    <id>tag:blogs.inquirer.net,2008:/nepalesreport//35.10486</id>

    <published>2008-01-31T06:03:33Z</published>
    <updated>2010-01-08T11:59:55Z</updated>

    <summary>WE&apos;VE st ored the parka, mittens, thermal underwear and snow boots in the closet. But th is moment remains fresh in our mind. Following the second screening of Filipina filmmaker Joanna Vasquez Arong&apos;s (in pink) &quot;Neo-Lounge,&quot; which was in Slamdanc...</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Film" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://blogs.inquirer.net/nepalesreport/">
        <![CDATA[<a href="http://blogs.inquirer.net/nepalesreport/wp-content/uploads/2008/01/sla
mdance-tagay.JPG" title="slamdance-tagay.JPG"><img src="http://blogs.inquirer.n
et/nepalesreport/wp-content/uploads/2008/01/slamdance-tagay.JPG" title="slamdan
ce-tagay.JPG" alt="slamdance-tagay.JPG" align="left" width="320" /></a>WE'VE st
ored the parka, mittens, thermal underwear and snow boots in the closet. But th
is moment remains fresh in our mind. Following the second screening of Filipina
 filmmaker Joanna Vasquez Arong's (in pink) "Neo-Lounge," which was in Slamdanc
e 2008's Documentary Feature Competition, she was toasted by new and old friend
s.

Among those celebrating Joanna's achievement in Park City, Utah are Pinoy filmm
akers Ramona Diaz (left, in green) and Marty Syjuco (beside Joanna).

Cheers indeed to the Philippines' rising crop of indie filmmakers! They're maki
ng waves in the international film scene. Best of all, they are invigorating th
e moribund Filipino movie industry.

<em>Editor's note: Photo by Ruben V. Nepales</em>]]>
        
    </content>
</entry>

</feed>
