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Fiesta: Fiesta memories

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By Pennie Azarcon-dela Cruz, Executive Editor Sunday Inquirer Magazine fiesta-batanes.jpgIN TONDO during my high school years, one gauged the success of the fiesta by how raucous the sound system was: that meant a lot of people had gathered at the basketball court to watch the pa-Liga and were each trying to convert the game into a one-man comedy hour. Towards late afternoon, there would be the furious thump of running feet and the cacophony of raised voices, often slurred and querulous. “May saksakan! May saksakan! Si Mang Kwan, lasing na naman!” one eventually made out from the general hubbub. Well, nothing really extraordinary for the occasion. The fiesta, after all, is an exercise in excess, the culmination of the Pinoy’s “bahala na” attitude where one made the most of present circumstance and followed expectations, never mind what comes next. For days on end, we’d be cooking assorted dishes, slicing onions till our eyes bulged with painful tears, polishing the good silver, putting up the good curtains and waxing the floors till they reflected our faces. Always, there would be too much food that we would dutifully try to finish in the days to come. On the third day, tired of all the reheated leftovers, we would heave them into the garbage pile, hoping that Nanay would believe that we had worked up a giant appetite to finish everything off. It went on till most of us siblings got married, left home and started our own traditions which, thankfully enough, did not include a cooking and feeding frenzy also known as the fiesta. Wary of not leaving our children their own trove of Pinoy memories, however, we made room for summer holidays that revolved around the occasional fiesta -- the Pahiyas in Lucban, Quezon or the Sta. Clara festival in Obando, for instance. Because they were seen as extra treats and not obligatory occasions, fiestas retained much of their colorful novelty and infectious good cheer for our kids. Should they expect much more, I can only hope they’d find vicarious enjoyment in my collection of fiesta memories, such as this: Many many years before, in our pre-teen years, we would be packed off in a cramped rented jeepney for this obligatory trek to Nueva Ecija’s May 1 fiesta. It must have been a big deal then, at least for our parents who had rented a long passenger jeepney weeks ahead and counted off heads, trying to decide which relative to bump off from the limited seating space. Two other vehicles would join our motley caravan as it crawled past the backyard poultries of Bulacan and the ripening rice fields around Mt. Arayat. Fidgety in our starched Sunday clothes, us kids amused ourselves by pointing to giant Aji-nomoto canisters, imagining half-asleep giants forgetting their condiments along MacArthur Highway. Talk of kapres was rife and rambunctious, but our elders drew the line at attempts to ride the jeepney’s running board. We generally kept our peace -- until the road stalls came into sight. Suffocating from all that grown-up talk, we would race down to buy boiled corn on the cob, sliced melons and boiled peanuts that were the mid-60s version of cheese curls. If we got lucky and our parents were feeling particularly generous, we would stop at Sevilla’s for some pastillas de leche and chicharong may laman, those stroke-inducing, cholesterol-choked pork rinds that have remained our secret pleasure. At Baliuag, Bulacan, our reward for good behavior was a brown paper bag of sweetish pandesal the size of an adult thumb. It took about two hours of often-dusty travel on the plains of Central Luzon before we got to my parents’ bustling hometown. Then the real fun began. Fiestas in those times were strictly participatory: you didn’t just stroll in and raided the household pantry. You offered to help stir the soup, cut up the sticky sweets or harvest banana leaves for plates. Kids were expected to cook a thin sticky gruel from Liwayway Gawgaw and use that to turn colorful Japanese paper into festive buntings. The older kids quickly tired of this routine and would mosey around the low-ceilinged ground floor that doubled as our lolo’s bodega, discovering packs of homemade cigarettes he would later peddle on market day. Experimenting with a puff and turning blue in the face from all that coughing forever cured me of any romance with smoking. Shortly before lunch, just before the hordes of guests and relatives stormed the tables, the kids would be called to a mini-feast of all the usual fiesta dishes: small helpings of lechon skin, sinampalukang manok, tinumis (something like dinuguan, only meatier), and bowls of tamarindo, an odd dessert made of tamarind pulp that alternated between sweet and tart and which one ate by the spoonful or spread on pandesal for merienda. It was one rare concoction I haven’t tasted since my lola died. Post lunch, we scurried off to the town plaza where a perya, a mini-carnival held sway, the plastic doodads given away as prizes holding our eyes. The best part of the fiesta, to my memory, was the carabao race, with everybody yelling themselves hoarse as the dressed-up beasts raised the dust. A procession of religious figures followed soon after and we would solemnly walk behind, until we heard our parents calling. Tired, sleepy and sated, we would straggle into the jeepney for the ride home, dreaming of next year’s fiesta and the perya prizes we would win next time. But soon, much too soon, we grew up. And the fiesta became just another imposition. Editor's note: Photo by the author shows church with buntings heralding the start of the fiesta in Basco, Batanes. For more insights, inquisitions and incredible fiesta photos, check out the Sunday Inquirer Magazine’s May 4 issue.
By Eric S. Caruncho, Staff Writer Sunday Inquirer Magazine 1. WADD: THE LIFE AND TIMES OF JOHN C. HOLMES. Both "Boogie Nights" and "Wonderland" were based on the life of Holmes, porn's first superstar. This documentary follows his rise to X-rated stardom, thanks to his unique physical gifts (13 and 1/2 inches), and his descent into hell as a result of cocaine addiction, culminating in his complicity in the murder of four people and eventual death from AIDS. 2. THE PUNK ROCK MOVIE. A verite document on the rise of punk in London, circa 1978. The low-fi footage taken by Don Letts, the DJ at the legendary London dive the Roxy, adds to the excitement of seeing the Sex Pistols, the Clash, Generation X, X-Ray Spex, Siouxsie and the Banshees and others in their natural habitat. 3. THE MAYOR OF THE SUNSET STRIP. Not another music documentary!? This one tells the story of the rise of rock'n'roll in the Sixties through the eyes of LA disc jockey Rodney Bingenheimer. The supreme hanger-on, Bingenheimer had his photo taken with everyone from John Lennon to Joey Ramone, but he was also often the first to break important new acts through his radio program. It ends on a note of pathos with Bingenheimer relegated to relic status, barely hanging on with a dead zone slot on his radio station. 4. DAYS OF BEING WILD. If "Blueberry Nights" left you puzzled as to what all the fuss about Wong Kar Wai was, this film -- Wong's second and his artistic breakthrough -- should make a believer out of you. Set in Hong Kong (and the Philippines!) in the 1960s, "Days" features charismatic performances from the late Leslie Cheung and Maggie Cheung. Wong would later expand themes from this film in "In The Mood For Love" and "2046." 5. LONE WOLF AND CUB, Vols. 1-6. Quentin Tarantino stole much of the spectacular swordfight scene in "Kill Bill" from this 1970s Japanese series featuring Tomisaburo Wakayama as Itto Ogami, former executioner turned sword-for-hire. The bodies pile up exponentially as Ogami roams the Japanese countryside with his infant son Daigoro, pursued by ninja assassins, expert swordsmen and bloodthirsty bandits. 6. NAKED LUNCH. Only David Cronenberg could have filmed William Burrough's hallucinatory Beat Generation-era chronicle of heroin addiction. This double DVD edition features illuminating extras on the making of "Naked Lunch," including interviews with Cronenberg, Burroughs and actors Peter Weller and Judy Davis. 7. PERDITA DURANGO. If you thought Javier Bardem's hair in "No Country For Old Men" was heinous, check out his 'do in "Perdita Durango." Bardem plays a gunslinging outlaw-cum-Santeria shaman opposite Rosie Perez as the title character, wearing what I can only describe as an Amazon river mullet. 8. THE MAN WHO FELL TO EARTH. David Bowie plays the alien in his acting debut, Nicolas Roeg's 1976 film that explores the classic theme of alienation in modern life in a science fiction context. 9. TEKKONKINKREET. If you watch only one anime film this year, make it this one. The visual design, overseen by "Animatrix" director Michael Arias, is simply awesome. The plot hinges on two street kids trying to survive in a post-apocalyptic city of the future. 10. FEMALE TROUBLE. More brain-melting trash art from John Waters, the auteur behind "Pink Flamingos" and the original "Hairspray." Here Divine plays Dawn Davenport, who mutates from a juvenile delinquent and teenage mother to a criminally-insane killer. For more insights, inquisitions and incredible fiesta photos, check out the Sunday Inquirer Magazine’s May 4 issue.

Fiesta: Invisible feast

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By Ruel S. De Vera, Associate Editor Sunday Inquirer Magazine HAVING lived in the metro my entire life, I have a completely different understanding of fiestas. Here, fiestas are almost invisible affairs, palpable only to people who are involved in the parish church. For the rest of the barangay, the fiesta is marked exclusively by the colored (and, notably) recycled plastic flags hanging above the streets. There's no open house where people can just drop in and eat to their heart’s content. There are no big gatherings. In fact, if you don't go to church, you can go on completely unaware that there is a fiesta at all. But within the church, everything revolves around the fiesta, in a way that can only be rivaled by Christmas and Easter. In that sense, it becomes a purely religious event, no longer attached to any social or civic significance. As mentioned earlier, fiestas are a big deal to those heavily involved in church affairs. This begins with the parish priest (who will be in the shiniest stole combination for the fiesta mass) down to the lay ministers (who will roll out the brand new barong tagalogs for this occasion, so heavily starched the shirts will probably stay standing on their own) to the foot soldiers of the choir (new arrangements and new songs) and us the altar boys. Yes, you can lower that eyebrow. I was an altar boy at my parish church for five years, from the time I was 13 to the time I was 18. It will be a shock to people who met me in college and beyond, but I took my altar duties pretty seriously and (gasp) even pondered entering the seminary. Luckily, that little catastrophe never happened, but serving Mass was a major part of my routine for years, and the fiesta was the biggest deal of all. Aside from the fact that the new soutanes were unveiled, there were a lot of processions to attend complete with the Cross, candles and even the incense burner (now that is a difficult piece of equipment to get acquainted with). At the end of every procession was yet another Mass and a good buffet. But that was pretty much it. Sometimes, there would be a marching band, but that was rare. Otherwise, the fiesta spirit would be fleeting and nearly invisible, fading away like the sound of the church bells tolling. For more insights, inquisitions and incredible fiesta photos, check out the Sunday Inquirer Magazine’s May 4 issue.

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