MANILA, Philippines — “We’re radical then…but we’ve changed. We never claimed this mantel of Emo,” Third Eye Blind’s (3eb) Stephan Jenkins (guitar and vocals) declared, as he explained how the band’s music has changed since their eponymous debut album in 1997.
3eb is definitely not an Emo band. It is an American alternative rock band that emerged in the 1990s with lyrical rock staples like “Semi-Charmed Life,” “Graduate,” and “How’s It’s Going To Be.” Their successful 1997 album Third Eye Blind remains their biggest, selling 6 million copies, according to Jenkins.
However, a decade in the music business has made the band a lot more “integrated,” “louder” and “political,” according to Jenkins who seemed in the mood to give long answers to questions by local journalists during a press conference here.
3eb is scheduled to play a one-night concert in Manila on September 5, as part of the Oktoberfest festivities led by San Miguel Corp.
What kept the band from coming out with a new album?
Jenkins replied, “I came out of a lyrical slump.”
The recent US political climate has somehow inspired Jenkins and the rest of the band to finally finish 3eb’s fourth album, reportedly dubbed Ursa Major. It will be under the Sony label and is expected to come out February 2009.
“We now have a stronger sense of who we are as musicians,” said Jenkins who was with Brad Hargreaves (drums and percussions) and Tony Fredianelli (guitar and vocals).
During the press conference, Jenkins kept coming back to the “US political consciousness” that has recently emerged – hinting probably on the upcoming elections – which he said has influenced the songs in the new album.
The band agreed that writing the new album was “challenging.” In fact, Jenkins who answered most of the questions posed by journalists, explained that 3eb’s new music is “extroverted” now due to more interactivity happening within the band.
Asked about the band’s thoughts on how technology has changed the music industry, Jenkins said YouTube and MySpace have allowed bands to interact directly with their fans and vice versa, effectively removing the once-powerful music executives from the picture.
“Power is now in the hands of the band,” Jenkins stressed, noting that today’s bands “don’t need to dance on top of the table” to make it in this cutthroat industry.
Asked about music piracy and emerging initiatives to let people decide how much are they willing to pay for music online – as exemplified by Radiohead’s strategy to sell Rainbows – Hargreaves retorted, “it’s unstoppable,” referring to music piracy on the Internet.
The Internet has, however, helped 3eb reached out to younger fans who are less familiar with their music. “More youngsters are now embracing our music,” Jenkins said, thanks to social networks like MySpace and Facebook.
